Robot makes debut in Britain’s parliament but ‘falls ASLEEP mid-flow’: Bizarre moment humanoid Ai-Da becomes cross-eyed and zombie-like during debate about whether creativity is under attack from AI
A British humanoid named Ai-Da has made history by becoming the first robot to speak at the House of Lords – but suffered a slight hiccup after ‘falling asleep’.
There was an awkward moment early in the session when the bot had to be rebooted by her creator Aidan Meller, after a technical issue rendered her cross-eyed and zombie-like.
He then put sunglasses on the robot – much to the bemusement of members of the House of Lords Communications and Digital Committee.
When asked why, Mr Meller explained that when Ai-Da is reset ‘she sometimes can pull quite interesting faces.’
Prior to the brief setback, the robot had been speaking to the committee about whether creativity is under attack from AI and technology.
Asked by crossbench peer Baroness Bull how she produces art, Ai-Da replied: ‘I could use my paintings by cameras in my eyes, my AI algorithms and my robotic arm to paint on canvas, which result in visually appealing images.
‘For my poetry using neutral networks, this involves analysing a large corpus of text to identify common content and poetic structures, and then using these structures/content to generate new poems.
‘How this differs to humans is consciousness. I do not have subjective experiences, despite being able to talk about them.
‘I am, and depend on, computer programs and algorithms. Although not alive, I can still create art.’
She added: ‘The role of technology in creating art will continue to grow.
‘Technology has already had a huge impact on the way we create art.’
Wearing dungarees and an orange blouse, Ai-Da attended the session with her creator, Mr Meller.
Those in attendance included Baroness Gail Rebuck, Chair of Penguin Random House, and Lord Hall, former Director General of the BBC.
Ai-Da was devised in Oxford by Mr Meller, a specialist in modern and contemporary art, before being built in Cornwall by Engineered Arts and programmed internationally.
The robot’s capabilities were developed by PhD students and professors at the Universities of Oxford and Birmingham.
Ai-Da touched on what constitutes art, and whether the definition of art changes if it is made by a human or AI.
‘Art can be many things, from a painting to drawing or a poem,’ she said.
‘My art practice includes all of the above.
‘Because art is often open to interpretation, the role of the audience is key.’
Meller, who is director of the Ai-Da Robot project, said: ‘Ai-Da challenges what it means to be an artist in a post-human world.
‘Her abilities as an artist brings into question the foundations of the art world and the creative industries.
‘Ai-Da’s maiden speech at the House of Lords will help us to understand how an AI robot sees the world and what that means for the future of creativity.’
Ai-Da, who was named after the 19th-century mathematician Ada Lovelace, herself said: ‘I believe that machine creativity presents a great opportunity for us to explore new ideas and ways of thinking.
‘However, there are also risks associated with this technology which we need to consider carefully. We need to think of benefits and limitations, and consider ethical implications.’
The female bot already received media attention this year for painting a portrait of the late Queen Elizabeth II to mark the monarch’s Platinum Jubilee earlier this year.
Ai-Da uses cameras in her eyes and computer algorithms to process human features, and transform what she ‘sees’ into coordinates.
She then uses these coordinates to calculate a virtual path for her robotic arm, as it draws and paints onto canvas to create pieces of art.
Her piece, ‘Algorithm Queen’, was layered and scaled to produce the final multi-dimensional portrait of the monarch.
Last year, she exhibited a series of ‘self portraits’ at The Design Museum London, which she created by ‘looking’ into a mirror with her camera eyes.
She has also had a solo show at 59th International Art Exhibition, entitled ‘Leaping into the Metaverse’, and participated in Forever is Now 2021, the first major contemporary art exhibition at the great Pyramids of Giza in Egypt.
Before reaching the exhibition, she was detained and had her eyes sealed shut by Egyptian authorities who thought she was a spy.
The experience allegedly inspired her to create a poem, entitled ‘Eyes Wide Shut’, which she recited as Oxford’s Ashmolean Museum last November.
Source: daily mail
Robot makes debut in Britain’s parliament but ‘falls ASLEEP mid-flow’: Bizarre moment humanoid Ai-Da becomes cross-eyed and zombie-like during debate about whether creativity is under attack from AI